1982-84 Hunter College, New York (M.F.A.)
1978-80 School of Visual Arts, New York
1973-77 Bezalel Academy of Art, Jerusalem (B.F.A.)
American, born in Romania
Lives and works in New York City
Solo Exhibitions
2008 Michael Steinberg Fine Art, New York
2006 Galeria Joan Prats, Barcelona
2005 Karpio + Facchini Gallery, Miami
Jacob Karpio Galeria, San Jose (Costa Rica)
2004 Michael Steinberg Fine Art, New York
2001 Marella Arte Contemporanea, Milan
2000 Von Lintel & Nusser, New York
Galerie Von Lintel & Nusser, Munich
1998 Galerie Thomas von Lintel, Munich
1997 Galerie des Archives, Paris
1996 Galerie Nächst St. Stephan, Vienna
1995-6 University of Buffalo Art Gallery/ Research Center in Art + Culture,
Buffalo/ Art Gallery of Hamilton, Hamilton, Ontario (Canada)/
MacDonald Stewart Art
Centre, Guelph, Ontario (Canada)
1995 Galerie Samuel Lallouz, Montreal
L.A. Louver, Los Angeles
1994 Marc Jancou Gallery, London
Galerie des Archives, Paris
1993 Galerie Barbara Farber, Amsterdam
Real Art Ways, Hartford (Connecticut)
1992 Tom Cugliani Gallery, New York
Galerie Marc Jancou, Zurich
Galerie des Archives, Paris
1991 Galerie Barbara Farber, Amsterdam
1990 Tom Cugliani Gallery, New York
1989 Tom Cugliani Gallery, New York
Galerie Barbara Farber, Amsterdam
1988 Carl Solway Gallery, Cincinnati
1987 Luhring, Augustine & Hodes Gallery, New York
Galerie Barbara Farber, Amsterdam
Hillman Holland Fine Arts, Atlanta
1986 Dart Gallery, Chicago
Luhring, Augustine & Hodes Gallery, New York
1985 Virtual Garrison Gallery, New York
1979 Bertha Urdang Gallery, New York
Selected Group Exhibitions:
2023 Looks Good: On Paper
Collage Drawn Painted Printed, Bienvenu Steinberg & J, New York.
2020 The Power of 10, Woddstock Byrdcliffe Guild Kleinert/James Art Center, Curated by Jane Hart
Hallo Koln, Curated by Rolf Ricke, Galerie Anke Schmidt, Koln.
2019 A Few of My Favorite Things, Elga Wimmer PCC, New York.
Semi Autonomous Bodies, PS 122 Gallery, New York. Curated by Ian Cofre.
Pain(t)hree, Elga Wimmer PCC, New York.
2018 ‘Tickle the Atman,’ The Re Institute, Millerton, New York, Curated by Susan Jennings.
Evolver, L.A. Louver, Los Angeles, CA.
Cuestión De Escala, Galería Jacob Karpio, Bogota, Colombia.
2017 Painting in due time, Thomas Erben Gallery, New York.
2017 Thought Forms, (Lisa Beck, Lydia Dona, Joan Waltemath) C. Grimaldis Gallery, Baltimore, MD.
2017 Silver Lining, 25 Years of Art, 25th Anniversary Exhibition, Elga Wimmer PCC, New York.
2017 THINK-PAINT, Unix Gallery, New York.
2016 Dynamic Pictorial Models, 101/ Exhibit, Los Angeles, CA.
2015 A Midsummer Night's Dream, Elga Wimmer PCC, New York.
2015 Re/Post, Storefront Ten Eyck, Brooklyn, New York. Curated by Ian Cofre.
2015 From Now on In, Brian Morris Gallery, New York. Curated by Chris Joy.
2014 The Intimacy of Abstraction, Dorsky Gallery Curatorial Programs, Long Island City, New York.
Curated by Chelsea Cooksey
2014 L'avenir est aux fantômes, Une proposition de Philippe Segond
Galerie White Project, Paris.
2014 Summer Group Show, Galerie Laroche/ Joncas, Montreal.
2014 Arcturus, LABspace, Great Barrington, MA.
2014 Drawing on Difference: An Ambition by Saul Ostrow and Lidija
Slavkovic, Studio Vendome Gallery, New York.
2013 Drawing on Habit: An Ambition by Saul Ostrow and Lidija Slavkovic,
South Carlton Beach and The Betsy-South Beach Exhibition Programs,
Art Basel, Miami Beach.
2013 XXL2, Elga Wimmer PCC, New York.
2013 Entree Libre Mais Non Obligatoire, Villa Arson, Nice.
2013 XXL, Elga Wimmer PCC, New York.
2013 Imprinted Pictures: Lydia Dona, Fabian Marcaccio, Alexander Ross,
Tom McGrath, Cheymore Gallery, Tuxedo Park, New York.
2013 Swing State, 119 Hester Street, New York.
Curated by Jane Kim.
2013 X-tra, Lesley Heller Workspace, New York, NY.
2012 Conceptual Abstraction, Hunter College/ Times Square Gallery, New
York. Curated by Pepe Karmel & Joachim Pissarro.
2012 Passionate Dynamics, Hong Kong Contemporary. Special project
curated by Elga Wimmer (upcoming May).
2012 Passionate Dynamics, Elga Wimmer Gallery, New York.
2011 Highlights of CAM, Chelsea Art Museum, New York, NY
2010 Abstraction Revisited, Chelsea Art Museum,New York, NY
(curated by: Elga Wimmer)
2009 Pintura, Galeria Joan Prats-Artgrafic, Barcelona, Spain
2008 20 Años Avant Garde, Jacob Karpio Galeria, San Jose, Costa Rica
Revision, Reiteration, Recombination: Process and the Contemporary
Print, curator: Leslie Wayne, UCF Art Gallery, University of Central
Florida, Orlando; Collage of Visual Arts, St. Paul, Minnesota
Global Books, les liveres d’artistes de gervais Jassaud , Bibliotheque
Carnegie City of Reims, France.
2006 Intersections, Emily Davis Gallery, Meyers School of Art, University of
Akron, OH.
2005 25 Years Selected Solo Exhibitions 1979-2004, Baumgartner Gallery,
New York;
The Dazzling Show, curator: Rolf Ricke, Galerie Roellin/Duerr, St.
Gallen, Switzerland.
2004 8WP- Eight Women Painters, Karpio+Facchini Gallery, Miami, FL;
About Painting, The Tang Museum and Art Gallery at Skidmore
College, N.Y;
Surface Tension, curator: Manon Slome, Chelsea Art Museum, New
York City;
Watercolor World, curator: Miranda McClintic, Dorsky Gallery.
Curatorial Programs, New York City.
2003 Before And After Science, Marella Arte Contemporanea, Milano;
Abstract Per se, curator: Max Henry, Red Dot Gallery, New York.
2002 The Belles of Amherst; Contemporary women artists, in the collections
of the Mead Art Museum and University Gallery, University of
Massachusetts Amherst;
. Choose Your Partner: an International Drawing Show, Nusser &
Baumgart Contemporary, Munich;
Cylce Peinture: Trois Regards, curators: Christine Buci-Glucksmann
and Catherine Perret, Les Filles Du Calvaire, Brussels;
Officina America/American Atelier, curator: Renato Barilli, Gallleria
d’Arte Moderna-istituzione del Comune di Bologna.
2001 Eye Candy, Scott White Contemporary Art, La Jolla, CA;
Bondo:From Process to Picture (Diana Cooper, Lydia Dona, James
Hyde).
I-Space, University of Urbana-Champaign, Chicago, Illinois.
Pop Mechanics, curator: Jonathan Van Dyke, Susquehana Art
Museum, Harrisburg, PA; travels to the Milton Hershey Museum,
Hershey, PA.
2000 Flux et Transparences, curators: Christine Buci-Glucksmann and
Catherine Perret, Les Filles du Calvaire, Paris;
Group Exhibition, L.A. Louver, Venice, CA;
Universal Abstraction 2000, Jan Weiner Gallery, Kansas City;
1999 From Albers to Paik, Works from the DaimlerChrysler Collection,
Stiftung für konstruktive und konkrete Kunst, Zürich;
Six Abstract Artists At The Millennium, Dorsky Gallery, New York;
Reconstructions,The Imprint of Nature/The Impact of Science, Sidney
Mishkin Gallery/ Baruch College, New York;
Painting/Language, L.A. Louver, Venice, CA;
Stedelijk Museum voor Actuële Kunst, Gent, organized by Jan Hoet;
Geometrie als Gestalt. Strukturen der modernen Kunst von Albers bis
Paik. Werke der Sammlung DaimlerChrysler, Staatliche Museen zu
Berlin, Neue Nationalgalerie, Berlin; Haus Kunst, Zurich
One by One, Painting versus Drawing, Galerie von Lintel & Nusser,
Munich;
Abstract American Painting, Galerie Windows [Bernier/Tanit], Brussels;
ECHO of my mind, curator: Erno Vroonen, Aspekte Galerie, Gasteig,
Munich;
1998 Do Paintings Dream of Veronese Green? curator: Maia Damianovic,
Elga Wimmer Gallery, New York;
Galore: The Continous Painting Wall, curator: David Moos,
Birmingham Museum of Art, Birmingham, AL;
Re: Rauschenberg, curator: Stuart Horodner, Marcel Sitcoske Gallery,
San Francisco;
From Here To Eternity, Painting in 1998, curator: Ruth Kaufmann, Max
Protech Gallery, New York;
45th Biennial Exhibition: The Corcoran Collects, curator: Terrie Sultan,
The Corcoran Gallery of Art, Washington, D.C.;
Painting Language, L.A. Louver, Venice, California;
Representing the Construction or Constructing the Representation.
The Quantum of Action in Abstract Art, Marcia Wood Gallery, Atlanta;
Decorative Strategies, curator: Georgia Lobacheff, Center for
Curatorial Studies, Bard College, Annan-dale-on-Hudson, New York.
1997 Pintura, Galeria Juan Prats, Barcelona, Spain;
Lydia Dona / Lisa Hoke: Blurring the Boundaries; Caren Golden Fine
Art, New York;
In-Form, Bravin Post Lee Gallery, New York;
What's Next On Canvas?; Elga Wimmer Gallery, New York;
The Technological Shift, Lawing Gallery, Houston;
Premilinial Tension, Marella Arte Contemporena, Sarnico, Italy.
1996 Made in the U.S.A. (Work on paper), Galeria Bob van Orsouw, Zurich;
Order/ Disorder; David Winton Bell Gallery, Brown University,
Providence, Rhode Island;
Reconditioned Abstraction, curator: Martin Ball, Forum for
Contemporary Art, St. Louis.
1995
TRANSATLANTICA: American, European and Latin American
Abstraction, Museo Alejandro Otero, Caracas;
Pittura Immedia, curator: Peter Weibel, Neue Galerie, Graz;
Lydia Dona / Stephen Ellis, Baumgartner Galleries, Washington, D.C.;
Architecture of the Mind, curator: David Moos, Galerie Barbara
Farber, Amsterdam;
Una Nuova Tradizione Americana, Galleria Oddi Baglioni, Rome;
New York Paper Now, Galerie Thomas von Lintel, Munich;
Mesotica, American/ Latin American Abstraction, Museum of
Contemporary Art San Jose, Costa Rica.
1994 The Institute of Cultural Anxiety, curator: Jeremy
Millar, I.C.A., London;
Painting Language, L.A. Louver Gallery, Los Angeles;
Conditional Painting, (Dona, Frieze, Marcaccio, Reed, Schiess),
Galerie Nächst St. Stephan/Rosemarie Schwarzwälder,Vienna;
1993 America-Italia/L'Astrazione Ridefinita, curator: Demetrio Paparoni,
Galeria Nazionale D'Arte Moderna San Marino, San Marino;
Sailing to Byzantium with Discontent, curator: Elio Cappucci, Sergio
Tossi Arte Contemporanea, Prato, Italy;
Irony and Ecstacy, curator: Klaus Ottmann, Salama-Caro Gallery,
London;
Work on Paper, Galerie Nächst St. Stephan/Rosemarie
Schwarzwälder, Vienna;
Abstraction: Continued, CRCA Gallery, University of Texas at Arlington;
Hypnosis , Maryland Institute of Arts, Baltimore, Maryland;
Libidinal Painting, White Columns, New York;
1992 On Condition-Painting Between Representation and Abstraction,
Gallery 400 University of Illinois, Chicago;
Abstrakte Malerei Zwischen Analyse und Synthese, Galerie Nächst St.
Stephan/Rosemarie Schwarzwälder, Vienna.
1991 New Abstraction--Conceptual Painting, Sidney Janis Gallery, New
York;
La Metafisica Della Luce, John Good Gallery, New York;
Architectures, curator: Demetrio Paparoni, Galleria in Arco, Torino;
42nd Biennial Exhibition of Contemporary American Painting, curator:
Terrie Sultan, The Corcoran Gallery of Art, Washington, D.C.;
Outside America-Artists for the Nineties, curator: Collins & Milazzo,
Fay Gold Gallery, Atlanta.
1990 The Technological Muse, curator: Susan Fillin-Yeh, Katonah Museum
of Art, Katonah, New York;
The Ends of Paintings: The Edges of Abstraction, curator: David
Pagel, Shoshana Wayne Gallery, Los Angeles;
The Painter and his Occasion, curator: Alan Jones, Marta Cervera
Gallery, New York;
Matter & Memory, Marta Cervera Gallery, New York.
1989 Strange Attractors: The Spectacle of Chaos, curator: Klaus Ottmann,
Kaos Foundation, Chicago;
Lydia Dona/David Winter, Barbara Toll Gallery, New York;
The Reunion of Distant Cousins, curator: Raphael Rubinstein, Michael
Walls Gallery, New York;
Diagrams & Surrogates, curator: Saul Ostrow, Shea & Becker Gallery,
New York.
1988 Numerators, curator: Raphael Rubinstein, John Good Gallery, New
York;
Meaningful Geometry, Postmasters Gallery, New York.
1987 Drawn Out, Kansas City Art Museum, Kemper Gallery, Kansas City;
Dreams of an Alchemist, Carl Solway Gallery, Cincinnati.
1986 The Potent Image, curator: R. Ferguson, The Morris Museum,
Morristown;
Painting: Abstract Rediscovered, Rosa Esman Gallery, New York;
Admired Work, John Weber Gallery, New York.
1985 57 Between A & D, Holly Solomon Gallery, New York;
8 Years/ 8 Artists/ SVA, curator: Jeanne Siegel, School of Visual Arts
Gallery, New York.
1984 Gabrielle Bryers Gallery, New York;
Young Americans, Gallery Bellman, New York;
Space-Time Continuum, Virtual Garrison, New York.
1983 Bonlow Gallery, New York.
1982 Accrochage, Galerie Schmela, Düsseldorf.
Selected Bibliography
A. Simon, "Assistants: Connected Through Circumstance" TWO COATS OF PAINT, October 11, 2019.
M. Bloch, "Pain(t) hree at Elga Wimmer PCC" Art Fuse, March 15, 2019.
B. Gleeson, " In L.A., Four New York Artists Take Control of Their Own Group Show"
artsy.net, April 29th, 2016, link.
R. Rubinstein, New Models, Strange Tools, Exhibition Essay, Dynamic Pictorial Models, 101/ Exhibit, 2016
C. Staff, After Modernist Painting: The History of a Contemporary Practice, pg. 123,
Published by I.B. Tauris, New York, 2013.
L. Wei, ‘Conceptual Abstraction’ Hunter College/Times Square, Art in America,
February 2013, pgs 106-107
H. Cotter, 'Conceptual Abstraction' Hunter College/ Times Square Gallery, New York
Times, Art in Review, November 2, 2012.
T. Green. 'Friday Exhib: "Conceptual Abstraction" at Hunter,' Art Info, Modern Art
Notes, November 2, 2012.
G. Kracht, Sunshine’s ArtyFacts, in Sunshine’s Nook, VIEWS, magazine, 2012.
M. Hrbacek, Highlights from the Chelsea Art Museum before it Closes, New York
Art Beat, December 2011.
Museum Haus Konstruktiv Complete Concrete, pg. 102, Published by Hatje
Cantz, Germany 2011.
T.Godfrey, Lydia Dona in the chapter Ambiguous Abstraction, in Painting Today,
Phaidon Press Limited, 2009.
J. Yau, Lydia Dona From Heat To Sub-Zero, in: The Brooklyn Rail, April 2008.
P. Bui, In Conversation: Lydia Dona with Phong Bui, in: The Brooklyn Rail, April
2008.
R. Barahona-Sotela, The hermeneutics of the Human Existence, in: Artmedia,
January 2007.
R. Rubinstein, Lydia Dona: Zones of Luminous Conflict, in: EX. Cat The
Engulfments of Change, Galeria Joan Prats, Barcelona, Spain 2006.
S. Maine, Lydia Dona, Michael Steinberg, Art in America, March 2005.
R. Morgan, Lydia Dona , Michael Steinberg Fine Arts, in: Art News, February
2005.
Don’t Miss: Lydia Dona, New York Confidential Painting, Michael Steinberg Fine
Art: 2004, in: Time Out New York, November 4-11, 2004.
J. Reed, Lydia Dona at Michael Steinberg Fine Art, in: Artforum.com, October 2004.
F. Holiday, Synthetic and Natural, in Gay City News, Oct 2004.
M. Sciaccaluga, Ai Confini della Realta, in: Arte, Italy, October 2002.
D. Ryan, Talking Painting; Dialogues with Twelve Contemporary Abstract Painters.
Taylor and Francis Books, London, USA, Canada 2002.
R. Barilli, Le Derive Dell’ Arte (in chapter: Toward A New Painterly Sensibility)
Exhibition Catalogue Officina America, Galleria d’Arte Moderna di Bologna,
January 2002.
A. D’Souza, Lydia Dona at Von Lintel & Nusser, in: Art in America, February 2001.
C. Buci-Glucksmann, Flux Et Transparences, in: Ex. Cat. Les Filles du Calvaire,
Paris, 2000.
M. Naves, Painting in the Virtual Here and Now, in: The New York Observer,
November 20, 2000.
K. Johnson, Lydia Dona, in: The New York Times, November 17, 2000.
E. Newhall, Grid Blitz, in: New York Magazine, October 30, 2000.
H. Loreck, Techno-urbane Korper:Lydia Donas Malerei, in: Frame, July/August
2000.
D. Moos, According to What: On Abstract Painting Circa 1999, in: Art Papers,
May/June 1999.
H. Loreck, Die Rhetorik der Abstraktion, in: Neue Bildende Kunst,1/2 . 1999.
C. Buci-Glucksman, Vers une Nouvelle Post-Abstraction, in: Parachute, September
1998.
R. Rubinstein, Nine Lives of Painting, in: Art in America, September 1998; Also in
the book: Polychrome Profusion: Selected Art Criticism: 1990-2002, p. 87,
Hard Press Editions 2003.
D. Pagel, in: Los Angeles Times, August 28, 1998.
R. Rubinstein, Lydia Dona at the MacDonald Stewart Art Centre, Guelph, Ontario,
in: Art in America, April 1997.
A. Harris, Post Void, in: Survey. Lydia Dona. 1989-1995, Ex.Cat. University of
Buffalo Art Gallery/ Research Center in Art + Culture, Buffalo/ Art Gallery of
Hamilton, Hamilton, Ontario (Canada)/ Macdonald Stewart Art Centre, Guelph,
Ontario (Canada) 1995-97, Buffalo 1996.
M. Damianovic, Painting at the Horns of a Dilemma, in: Art Press, March 1996.
M. Cutajar, Lydia Dona, L.A. Louver, L.A., review in: Art & Text, #53, January 1996.
D. Moos, Lydia Dona: Architecture of Anxiety, Abstraction issue, in: Journal of
Philosophy and the Visual Arts, No.5, Academy Editions, 1995.
S. Allen, Painting and Architecture: Conditional Abstractions, Abstraction issue, in:
Journal of Philosophy and the Visual Arts, No.5, Academy Editions, 1995.
I. Calame, Lydia Dona at LA Louver, in: Art Issues, November/ December 1995.
C. Campbell, Lydia Dona: L.A. Louver, review in: Flash Art International, November
1995.
S. Kandel, Lydia Dona at the L.A. Louver Gallery, review in: Los Angeles Times,
October 1995.
D. Moos, Architecture of the Mind, in: Ex. Cat. Barbara Farber, Amsterdam 1995.
R. Rubinstein, New Abstraction, Interview, in: Art in America, October 1994.
P. Dagen, Lydia Dona, Galerie Des Archives, Review in: Le Monde, April 1994.
K. Ottmann, in: Ex. Cat. Galerie Barbara Farber, Amsterdam 1993.
P. Dagen, Lydia Dona, Les Charmes de L'Ambiguite, Interview, in:Le Monde,
August 30,1993.
D. Pagel, Lydia Dona at Tom Cugliani Gallery, in: Artforum, March 1993.
M. Archer, Lydia Dona, Marc Jancou Gallery, London, in: Artforum, February 1995.
Abstract Painting between Analysis and Syntheses, in: Ex. Cat. Galerie Nächst
St. Stephan, Vienna,1992.
U. Moser, Abstrakte Malerei Zwischen Analyse und Synthese, in: Kunstforum,
May/June 1992.
M. Nuridsany, Lydia Dona, Galerie des Archives, in: Le Figaro, April 21, 1992.
J. Fischer, Zwischen Logik und Poesie: Abstraktion Nächst St. Stephan, in: Der
Standard, Vienna, February 12, 1992.
N. Smolik, New York nach dem Marktzusammenbruch, in: Kunstforum, January
1992.
D. Pagel, Lydia Dona, in: Ex. Cat. 42nd Biennial Exhibition of Contemporary
American Painting, Corcoran Gallery, 1991.
D. Paparoni, Architectures, in: Ex. Cat. Galleria in Arco, Torino, 1991.
D. Pagel, Lydia Dona, in: Ex. Cat. Galerie des Archives, Paris, 1991.
D. Pagel, The Ends Of Paintings: The Edges Of Abstractions, in: Artspaces,
January/ February 1991.
K. Ottmann, Lydia Dona, in: Journal of Contemporary Art, Fall/Winter 1991.
D. Paparoni, Lydia Dona; A Conversation With Demetrio Paparoni, in: Tema
Celeste, Autumn, 1991.
A. Tager, Lydia Dona at Tom Cugliani Gallery, in: Lapiz, February 1991.
R. Denson, Rupturing the Modernist Gland, Lydia Dona´s Abstract Erosions, in:
Artscribe, January/ February 1991.
R. Rubinstein, Lydia Dona at Tom Cugliani, in: Flash Art, March/ April 1991.
D. Pagel, The Ends of Painting: The Edges of Abstraction, in: Ex. Cat. Shoshana
Wayne Gallery, 1990.
R. Mahoney, Lydia Dona/David Winter at Barbara Toll. in: Flash Art, January 1990.
J. Yau, Lydia Dona at Tom Cugliani, in: Artforum, February 1990.
E. Newhall, The Painter in Her Labyrinth, in: New York Magazine, November 19,
1990.
M. Damianovic, Paradox View, in: Arts Magazine, December 1989.
J. Russell, The Reunion of Distant Cousins; Michael Walls Gallery, in: The New
York Times, June 16, 1989.
R. Morgan, New York in Review: 'Diagrams and Surrogates', in: Arts, April 1989.
P. Cyphers, New York in Review: 'Numerators', in: Arts, March 1989.
S. Ostrow, Diagrams & Surrogates, Ex. Cat. Shea & Beker Gallery, 1989.
K. Ottmann The Gaze of Orpheus, in: Flash Art, November/December 1988.
R. Morgan, Meaningful Geometry: Postmasters, in: Flash Art, May/ June 1988.
V. Raynor, Works by the New and by the Eccentric, in: New York Times, May 22,
1988.
J. Yau, Lydia Dona: Luhring, Augustine & Hodes, in: Artforum, January 1988.
K. Ottmann, Spotlight: Lydia Dona, in: Flash Art, International Edition, October
1987.
H. Harrison,When Painters turn to Prints., in: The New York Times, March 22, 1987.
G. Harper, Lydia Dona Hillman Holland Fine Arts., in: Art Papers, January 1987.
S. Westfall, Lydia Dona at Luhring, Augustine & Hodes., in: Art in America, Sept,
1986.
B. Schwabsky, Lydia Dona, in: Flash Art, Summer 1986.
Album: Lydia Dona, in: Arts, April 1986.
D. Cameron, The Attack of the B-Girls: Four Women Artists from the East Village, in:
Arts, May 1985.
N. Princenthal, Young Americans: Galerie Bellman, in: Art News, January 1985.
S. Westfall, Lydia Dona’s Theater of the Second Chance, Ex. Cat. Virtual Garrison,
March 1985.
H. Foster, Lydia Dona: Bertha Urdang Gallery, in: Artforum, January 1980.
D. Blau, Lydia Dona: Bertha Urdang Gallery, in: Flash Art, January 1980.
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