LYDIA DONA
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1982-84            Hunter College, New York (M.F.A.)
1978-80            School of Visual Arts, New York
1973-77            Bezalel Academy of Art, Jerusalem (B.F.A.)

American, born in Romania
Lives and works in New York City

Solo Exhibitions

2008                   Michael Steinberg Fine Art, New York
2006                   Galeria Joan Prats, Barcelona
2005                   Karpio + Facchini Gallery, Miami
                            Jacob Karpio Galeria, San Jose (Costa Rica) 
2004                   Michael Steinberg Fine Art, New York
2001                   Marella Arte Contemporanea, Milan
2000                   Von Lintel & Nusser, New York
                           Galerie Von Lintel & Nusser, Munich
1998                   Galerie Thomas von Lintel, Munich
1997                   Galerie des Archives, Paris
1996                   Galerie Nächst St. Stephan, Vienna
1995-6                University of Buffalo Art Gallery/ Research Center in Art + Culture, 
                           Buffalo/ Art Gallery of Hamilton, Hamilton, Ontario (Canada)/ 
                           MacDonald Stewart Art                  
                           Centre, Guelph, Ontario (Canada)
1995                   Galerie Samuel Lallouz, Montreal
                           L.A. Louver, Los Angeles
1994                   Marc Jancou Gallery, London
                           Galerie des Archives, Paris
1993                   Galerie Barbara Farber, Amsterdam
                           Real Art Ways, Hartford (Connecticut)
1992                   Tom Cugliani Gallery, New York
                           Galerie Marc Jancou, Zurich
                           Galerie des Archives, Paris
1991                   Galerie Barbara Farber, Amsterdam
1990                   Tom Cugliani Gallery, New York
1989                   Tom Cugliani Gallery, New York
                           Galerie Barbara Farber, Amsterdam
1988                   Carl Solway Gallery, Cincinnati
1987                   Luhring, Augustine & Hodes Gallery, New York
                           Galerie Barbara Farber, Amsterdam
                           Hillman Holland Fine Arts, Atlanta
1986                   Dart Gallery, Chicago
                           Luhring, Augustine & Hodes Gallery, New York
1985                   Virtual Garrison Gallery, New York
1979                   Bertha Urdang Gallery, New York


Selected Group Exhibitions:

2023                 Looks Good: On Paper

                          Collage Drawn Painted Printed, Bienvenu Steinberg & J, New York.

2020                 The Power of 10, Woddstock Byrdcliffe Guild Kleinert/James Art Center, Curated by Jane Hart

                  
        Hallo Koln, Curated by Rolf Ricke, Galerie Anke Schmidt, Koln.

2019                 A Few of My Favorite Things, Elga Wimmer PCC, New York.  
   
                          Semi Autonomous Bodies, PS 122 Gallery, New York. Curated by Ian Cofre. 

                          Pain(t)hree, Elga Wimmer PCC, New York.                      

2018                 ‘Tickle the Atman,’  The Re Institute, Millerton, New York, Curated by Susan Jennings.

                         
Evolver, L.A. Louver, Los Angeles, CA. 


                         Cuestión De Escala, Galería Jacob Karpio, Bogota, Colombia.

2017                Painting in due time, Thomas Erben Gallery, New York.

​2017                 Thought Forms, (Lisa Beck, Lydia Dona, Joan Waltemath) C. Grimaldis Gallery, Baltimore, MD.

2017                 Silver Lining, 25 Years of Art, 25th Anniversary Exhibition, Elga Wimmer PCC, New York.

2017                 THINK-PAINT, Unix Gallery, New York.

2016                 Dynamic Pictorial Models, 101/ Exhibit, Los Angeles, CA.

2015                 A Midsummer Night's Dream, Elga Wimmer PCC, New York.

2015                  Re/Post, Storefront Ten Eyck, Brooklyn, New York. Curated by Ian Cofre.

2015                  From Now on In, Brian Morris Gallery, New York. Curated by Chris Joy.

2014                  The Intimacy of Abstraction, Dorsky Gallery Curatorial Programs, Long Island City, New York.
                           Curated by Chelsea Cooksey

2014                   L'avenir est aux fantômes, Une proposition de Philippe Segond
                           Galerie White Project, Paris.

2014                   Summer Group Show, Galerie Laroche/ Joncas, Montreal.    

2014                   Arcturus, LABspace, Great Barrington, MA.

2014                   Drawing on Difference: An Ambition by Saul Ostrow and Lidija                
                            Slavkovic, Studio Vendome Gallery, New York.                  
 
2013                   Drawing on Habit: An Ambition by Saul Ostrow and Lidija Slavkovic,
                           South Carlton Beach and The Betsy-South Beach Exhibition Programs,                               
                           Art Basel, Miami Beach.

2013                   XXL2, Elga Wimmer PCC, New York.

2013                   Entree Libre Mais Non Obligatoire, Villa Arson, Nice.

2013                   XXL, Elga Wimmer PCC, New York.    

2013                   Imprinted Pictures: Lydia Dona, Fabian Marcaccio, Alexander Ross, 
                           Tom McGrath, Cheymore Gallery, Tuxedo Park, New York. 

2013                    Swing State, 119 Hester Street, New York. 
                            Curated by Jane Kim.

2013                    X-tra, Lesley Heller Workspace, New York, NY.

2012                    Conceptual Abstraction, Hunter College/ Times Square Gallery, New
                            York. Curated by Pepe Karmel & Joachim Pissarro.

2012                    Passionate Dynamics, Hong Kong Contemporary. Special project 
                            curated by Elga Wimmer (upcoming May).

2012                    Passionate Dynamics, Elga Wimmer Gallery, New York.

2011                   Highlights of CAM, Chelsea Art Museum, New York, NY

2010                   Abstraction Revisited, Chelsea Art Museum,New York, NY
                            (curated by: Elga Wimmer) 

2009                   Pintura, Galeria Joan Prats-Artgrafic, Barcelona, Spain

2008                   20 Años Avant Garde, Jacob Karpio Galeria, San Jose, Costa Rica
                           Revision, Reiteration, Recombination: Process and the Contemporary     
                           Print, curator: Leslie Wayne, UCF Art Gallery, University of Central  
                           Florida, Orlando; Collage of Visual Arts, St. Paul, Minnesota
                           Global Books, les liveres d’artistes  de gervais Jassaud , Bibliotheque
                           Carnegie City of Reims, France.

2006                   Intersections, Emily Davis Gallery, Meyers School of Art, University of 
                           Akron, OH.

2005                   25 Years Selected Solo Exhibitions 1979-2004, Baumgartner Gallery, 
                           New York; 

                           The Dazzling Show, curator: Rolf Ricke,  Galerie Roellin/Duerr, St. 
                           Gallen, Switzerland.

2004                   8WP- Eight Women Painters, Karpio+Facchini Gallery, Miami, FL;
                           About Painting, The Tang Museum and Art Gallery at Skidmore 
                           College, N.Y;

                           Surface Tension, curator: Manon Slome, Chelsea Art Museum, New 
                           York City;

                           Watercolor World, curator: Miranda McClintic, Dorsky Gallery. 
                           Curatorial Programs, New York City.

2003                   Before And After Science, Marella Arte Contemporanea, Milano;
                           Abstract Per se, curator: Max Henry,  Red Dot Gallery, New York. 

2002                  The Belles of Amherst; Contemporary women artists, in the collections 
                           of the Mead Art Museum and University Gallery, University of 
                           Massachusetts Amherst;
.                          Choose Your Partner: an International Drawing Show, Nusser & 
                           Baumgart Contemporary, Munich;

                           Cylce Peinture: Trois Regards, curators: Christine Buci-Glucksmann 
                           and Catherine Perret, Les Filles Du Calvaire, Brussels;

                           Officina America/American Atelier, curator: Renato Barilli, Gallleria 
                           d’Arte Moderna-istituzione del Comune di Bologna.

2001                   Eye Candy, Scott White Contemporary Art, La Jolla, CA;
                           Bondo:From Process to Picture (Diana Cooper, Lydia Dona, James 
                           Hyde).

                           I-Space, University of Urbana-Champaign, Chicago, Illinois.
                           Pop Mechanics, curator: Jonathan Van Dyke, Susquehana Art 
                           Museum, Harrisburg, PA; travels to the Milton Hershey Museum, 
                           Hershey, PA.

2000                   Flux et Transparences, curators: Christine Buci-Glucksmann and
                           Catherine Perret, Les Filles du Calvaire, Paris;
                           Group Exhibition, L.A. Louver, Venice, CA;
                           Universal Abstraction 2000, Jan Weiner Gallery, Kansas City;   
                           
1999                   From Albers to Paik, Works from the DaimlerChrysler Collection, 
                           Stiftung für konstruktive und konkrete Kunst, Zürich;
                           Six Abstract Artists At The Millennium, Dorsky Gallery, New York;
                           Reconstructions,The Imprint of Nature/The Impact of Science, Sidney
                           Mishkin Gallery/ Baruch College, New York;
                           Painting/Language, L.A. Louver, Venice, CA;
                           Stedelijk Museum voor Actuële Kunst, Gent, organized by Jan Hoet;
                           Geometrie als Gestalt. Strukturen der modernen Kunst von Albers bis 
                           Paik. Werke der Sammlung DaimlerChrysler, Staatliche Museen zu 
                           Berlin, Neue Nationalgalerie, Berlin; Haus Kunst, Zurich
                           One by One, Painting versus Drawing, Galerie von Lintel & Nusser, 
                           Munich;
                           Abstract American Painting, Galerie Windows [Bernier/Tanit], Brussels;
                           ECHO of my mind, curator: Erno Vroonen, Aspekte Galerie, Gasteig, 
                           Munich;
                           
1998                   Do Paintings Dream of Veronese Green? curator:  Maia Damianovic, 
                           Elga Wimmer Gallery, New York;
                           Galore: The Continous Painting Wall, curator:  David Moos,  
                           Birmingham Museum of Art, Birmingham, AL;
                           Re: Rauschenberg, curator: Stuart Horodner, Marcel Sitcoske Gallery,
                           San Francisco;
                           From Here To Eternity, Painting in 1998, curator: Ruth Kaufmann, Max 
                           Protech Gallery, New York; 
                           45th Biennial Exhibition: The Corcoran Collects, curator: Terrie Sultan,
                           The Corcoran Gallery of Art, Washington, D.C.; 
                           Painting Language, L.A. Louver, Venice, California;                         
                           Representing the Construction or Constructing the Representation.
                           The Quantum of Action in Abstract Art, Marcia Wood Gallery, Atlanta;
                           Decorative Strategies, curator:  Georgia Lobacheff, Center for 
                           Curatorial Studies, Bard College, Annan-dale-on-Hudson, New York. 

1997                   Pintura, Galeria Juan Prats, Barcelona, Spain;
                           Lydia Dona / Lisa Hoke: Blurring the Boundaries; Caren Golden Fine 
                           Art, New York;
                           In-Form, Bravin Post Lee Gallery, New York;
                           What's Next On Canvas?; Elga Wimmer Gallery, New York;
                           The Technological Shift, Lawing Gallery, Houston;
                           Premilinial Tension, Marella Arte Contemporena,  Sarnico, Italy.

1996                  Made in the U.S.A. (Work on paper), Galeria Bob van Orsouw, Zurich;
                           Order/ Disorder; David Winton Bell Gallery, Brown University, 
                           Providence, Rhode Island;
                           Reconditioned Abstraction, curator:  Martin Ball, Forum for 
                           Contemporary Art, St. Louis.
1995        
                           TRANSATLANTICA: American, European and Latin American 
                           Abstraction, Museo Alejandro Otero, Caracas;
                           Pittura Immedia, curator:  Peter Weibel, Neue Galerie, Graz;
                           Lydia Dona / Stephen Ellis, Baumgartner Galleries, Washington, D.C.;
                           Architecture of the Mind, curator:  David Moos, Galerie Barbara 
                           Farber, Amsterdam;
                           Una Nuova Tradizione Americana, Galleria Oddi Baglioni, Rome;
                           New York Paper Now, Galerie Thomas von Lintel, Munich;
                           Mesotica, American/ Latin American Abstraction, Museum of 
                           Contemporary Art San Jose, Costa Rica.

1994                  The Institute of Cultural Anxiety, curator:  Jeremy
                           Millar, I.C.A., London;
                           Painting Language, L.A. Louver Gallery, Los Angeles;
                           Conditional Painting, (Dona, Frieze, Marcaccio, Reed, Schiess), 
                           Galerie Nächst St. Stephan/Rosemarie Schwarzwälder,Vienna;

1993                   America-Italia/L'Astrazione Ridefinita, curator:  Demetrio Paparoni, 
                           Galeria Nazionale D'Arte  Moderna San Marino, San Marino;
                           Sailing to Byzantium with Discontent, curator:  Elio Cappucci, Sergio 
                           Tossi Arte Contemporanea, Prato, Italy;
                           Irony and Ecstacy, curator:  Klaus Ottmann, Salama-Caro Gallery, 
                           London;
                           Work on Paper, Galerie Nächst St. Stephan/Rosemarie 
                           Schwarzwälder, Vienna;
                           Abstraction: Continued, CRCA Gallery, University of Texas at Arlington;
                           Hypnosis , Maryland Institute of Arts, Baltimore, Maryland;
                           Libidinal Painting, White Columns, New York;

1992                   On Condition-Painting Between Representation and Abstraction,
                           Gallery 400 University of Illinois, Chicago;
                           Abstrakte Malerei Zwischen Analyse und Synthese, Galerie Nächst St.
                           Stephan/Rosemarie Schwarzwälder, Vienna.
 
1991                  New Abstraction--Conceptual Painting, Sidney Janis Gallery, New 
                           York;
                           La Metafisica Della Luce, John Good Gallery, New York;
                           Architectures, curator: Demetrio Paparoni, Galleria in Arco, Torino;
                           42nd Biennial Exhibition of Contemporary American Painting, curator:  
                           Terrie Sultan, The Corcoran Gallery of Art, Washington, D.C.;
                           Outside America-Artists for the Nineties, curator:  Collins & Milazzo, 
                           Fay Gold Gallery, Atlanta.
 
1990                   The Technological Muse, curator:  Susan Fillin-Yeh, Katonah Museum 
                           of Art, Katonah, New York;
                           The Ends of Paintings: The Edges of Abstraction, curator:  David 
                           Pagel, Shoshana Wayne Gallery, Los Angeles;   
                           The Painter and his Occasion, curator:  Alan Jones, Marta Cervera 
                           Gallery, New York;
                           Matter & Memory, Marta Cervera Gallery, New York.

1989                   Strange Attractors: The Spectacle of Chaos, curator:  Klaus Ottmann, 
                           Kaos Foundation, Chicago;
                           Lydia Dona/David Winter, Barbara Toll Gallery, New York;         
                           The Reunion of Distant Cousins, curator:  Raphael Rubinstein, Michael 
                           Walls Gallery, New York;
                           Diagrams & Surrogates, curator: Saul Ostrow,  Shea & Becker Gallery, 
                           New York.


1988                  Numerators, curator:  Raphael Rubinstein, John Good Gallery, New 
                           York;
                           Meaningful Geometry, Postmasters Gallery, New York.

1987                  Drawn Out, Kansas City Art Museum, Kemper Gallery, Kansas City;
                          Dreams of an Alchemist, Carl Solway Gallery, Cincinnati.

1986                  The Potent Image, curator:  R. Ferguson, The Morris Museum, 
                          Morristown;
                          Painting: Abstract Rediscovered, Rosa Esman Gallery, New York;
                          Admired Work, John Weber Gallery, New York.
 
1985                  57 Between A & D, Holly Solomon Gallery, New York;
                          8 Years/ 8 Artists/ SVA, curator:  Jeanne Siegel, School of Visual Arts 
                          Gallery, New York.

1984                  Gabrielle Bryers Gallery, New York;
                          Young Americans, Gallery Bellman, New York;
                          Space-Time Continuum, Virtual Garrison, New York.
  
1983                  Bonlow Gallery, New York.

1982                  Accrochage, Galerie Schmela, Düsseldorf.


Selected Bibliography

     A. Simon, "Assistants: Connected Through Circumstance" TWO COATS OF PAINT, October 11, 2019. 
     M. Bloch, "Pain(t) hree at Elga Wimmer PCC" Art Fuse, March 15, 2019. 
     B. Gleeson, " In L.A., Four New York Artists Take Control of Their Own Group Show"  
               artsy.net,  April 29th, 2016, link.
     R. Rubinstein, New Models, Strange Tools, Exhibition Essay, Dynamic Pictorial Models, 101/ Exhibit, 2016
     C. Staff, After Modernist Painting: The History of a Contemporary Practice, pg. 123,      
               Published by I.B. Tauris, New York, 2013. 

     L. Wei, ‘Conceptual Abstraction’ Hunter College/Times Square, Art in America,    
               February 2013, pgs 106-107         
     H. Cotter, 'Conceptual Abstraction' Hunter College/ Times Square Gallery, New York 
               Times, Art in Review, November 2, 2012.     
     T. Green. 'Friday Exhib: "Conceptual Abstraction" at Hunter,' Art Info, Modern Art 
               Notes, November 2, 2012.
     G. Kracht, Sunshine’s ArtyFacts, in Sunshine’s Nook, VIEWS, magazine, 2012.       
     M. Hrbacek, Highlights from the Chelsea Art Museum before it Closes, New York   
              Art Beat, December 2011.          
     Museum Haus Konstruktiv Complete Concrete, pg. 102, Published by Hatje
              Cantz, Germany 2011.  
     T.Godfrey, Lydia Dona in the chapter Ambiguous Abstraction, in Painting Today, 
              Phaidon Press Limited, 2009.
     J. Yau, Lydia Dona    From Heat To Sub-Zero, in: The Brooklyn Rail, April 2008.
     P. Bui,  In Conversation: Lydia Dona with Phong Bui, in: The Brooklyn Rail, April  
              2008.
     R. Barahona-Sotela, The hermeneutics of the Human Existence, in: Artmedia, 
              January 2007.
     R. Rubinstein, Lydia Dona: Zones of Luminous Conflict, in: EX. Cat The 
             Engulfments of Change, Galeria Joan Prats, Barcelona, Spain 2006.
     S. Maine,  Lydia Dona, Michael Steinberg, Art in America, March 2005.
     R. Morgan, Lydia Dona , Michael Steinberg Fine Arts, in:  Art News,  February 
            2005.
     Don’t Miss: Lydia Dona, New York Confidential Painting, Michael Steinberg Fine 
            Art: 2004, in: Time Out New York,  November 4-11, 2004.
     J. Reed, Lydia Dona at Michael Steinberg Fine Art, in: Artforum.com, October 2004.
     F. Holiday, Synthetic and Natural,  in Gay City News, Oct 2004.
     M. Sciaccaluga, Ai Confini della Realta, in: Arte, Italy, October 2002.
     D. Ryan, Talking Painting; Dialogues with Twelve Contemporary Abstract Painters. 
              Taylor and Francis Books, London, USA, Canada 2002.
     R. Barilli, Le Derive Dell’ Arte (in chapter: Toward A New Painterly Sensibility) 
              Exhibition Catalogue Officina America, Galleria d’Arte Moderna di Bologna, 
              January  2002.
     A. D’Souza, Lydia Dona at Von Lintel & Nusser, in: Art in America, February 2001.
     C. Buci-Glucksmann, Flux Et Transparences, in: Ex. Cat. Les Filles du Calvaire, 
              Paris, 2000.
     M. Naves, Painting in the Virtual Here and Now, in: The New York Observer, 
              November 20, 2000.
     K. Johnson, Lydia Dona, in: The New York Times, November 17, 2000.
     E. Newhall, Grid Blitz, in: New York Magazine, October 30, 2000.
     H. Loreck, Techno-urbane Korper:Lydia Donas Malerei, in: Frame, July/August 
              2000.
     D. Moos, According to What: On Abstract Painting Circa 1999, in: Art Papers, 
              May/June 1999.
     H. Loreck, Die Rhetorik der Abstraktion, in: Neue Bildende Kunst,1/2 . 1999.
     C. Buci-Glucksman, Vers une Nouvelle Post-Abstraction, in: Parachute, September 
             1998.
     R. Rubinstein, Nine Lives of Painting, in: Art in America, September 1998; Also in 
             the book:  Polychrome  Profusion:  Selected Art Criticism:  1990-2002, p. 87, 
             Hard Press Editions 2003.
     D. Pagel, in: Los Angeles Times, August 28, 1998.
     R. Rubinstein, Lydia Dona at the MacDonald Stewart Art Centre, Guelph, Ontario, 
             in:  Art in America, April 1997.
     A. Harris, Post Void, in: Survey. Lydia Dona. 1989-1995, Ex.Cat. University of 
             Buffalo Art Gallery/ Research Center in Art + Culture, Buffalo/ Art Gallery of 
             Hamilton, Hamilton, Ontario (Canada)/ Macdonald Stewart Art Centre, Guelph, 
             Ontario (Canada) 1995-97, Buffalo 1996.
     M. Damianovic, Painting at the Horns of a Dilemma, in: Art Press, March 1996.
     M. Cutajar, Lydia Dona, L.A. Louver, L.A., review in: Art & Text, #53, January 1996.
     D. Moos, Lydia Dona: Architecture of Anxiety, Abstraction issue, in: Journal of
             Philosophy and the Visual Arts, No.5, Academy Editions, 1995.
     S. Allen, Painting and Architecture: Conditional Abstractions, Abstraction issue, in:   
             Journal of Philosophy and the Visual Arts, No.5, Academy Editions, 1995.
     I. Calame, Lydia Dona at LA Louver, in: Art Issues, November/ December 1995.
     C. Campbell, Lydia Dona: L.A. Louver, review in: Flash Art International, November 
             1995.
     S. Kandel, Lydia Dona at the L.A. Louver Gallery, review in: Los Angeles Times, 
             October 1995.
     D. Moos, Architecture of the Mind, in: Ex. Cat. Barbara Farber, Amsterdam 1995.
     R. Rubinstein, New Abstraction, Interview, in: Art in America, October 1994.
     P. Dagen, Lydia Dona, Galerie Des Archives, Review in: Le Monde, April 1994.
     K. Ottmann, in: Ex. Cat. Galerie Barbara Farber, Amsterdam 1993.
     P. Dagen, Lydia Dona, Les Charmes de L'Ambiguite, Interview, in:Le Monde, 
              August 30,1993.                                                                                  
     D. Pagel, Lydia Dona at Tom Cugliani Gallery, in: Artforum, March 1993.
     M. Archer, Lydia Dona, Marc Jancou Gallery, London, in: Artforum, February 1995.
             Abstract Painting between Analysis and Syntheses, in: Ex. Cat. Galerie Nächst 
             St. Stephan, Vienna,1992.
     U. Moser, Abstrakte Malerei Zwischen Analyse und Synthese, in: Kunstforum, 
             May/June 1992.
     M. Nuridsany, Lydia Dona, Galerie des Archives, in: Le Figaro, April 21, 1992.
     J. Fischer, Zwischen Logik und Poesie: Abstraktion Nächst St. Stephan, in: Der 
             Standard, Vienna, February 12, 1992.
     N. Smolik, New York nach dem Marktzusammenbruch, in: Kunstforum,  January 
             1992.
     D. Pagel, Lydia Dona, in: Ex. Cat. 42nd Biennial Exhibition of Contemporary 
             American Painting, Corcoran Gallery, 1991.
     D. Paparoni, Architectures, in: Ex. Cat. Galleria in Arco, Torino, 1991.
     D. Pagel, Lydia Dona, in: Ex. Cat. Galerie des Archives, Paris, 1991.
     D. Pagel, The Ends Of Paintings: The Edges Of Abstractions, in: Artspaces,  
             January/ February 1991.
     K. Ottmann, Lydia Dona, in:  Journal of Contemporary Art, Fall/Winter 1991.  
     D. Paparoni, Lydia Dona; A Conversation With Demetrio Paparoni, in: Tema 
             Celeste, Autumn, 1991.
     A. Tager, Lydia Dona at Tom Cugliani Gallery, in: Lapiz, February 1991.
     R. Denson, Rupturing the Modernist Gland, Lydia Dona´s Abstract Erosions, in: 
             Artscribe, January/ February 1991.
     R. Rubinstein, Lydia Dona at Tom Cugliani, in: Flash Art, March/ April 1991.         
     D. Pagel, The Ends of Painting: The Edges of Abstraction, in: Ex. Cat. Shoshana 
             Wayne Gallery, 1990.
     R. Mahoney, Lydia Dona/David Winter at Barbara Toll. in: Flash Art, January 1990.
     J. Yau, Lydia Dona at Tom Cugliani, in: Artforum, February 1990.
     E. Newhall, The Painter in Her Labyrinth, in: New York Magazine, November 19, 
             1990.
     M. Damianovic, Paradox View, in: Arts Magazine, December 1989.
     J. Russell, The Reunion of Distant Cousins; Michael Walls Gallery, in: The New 
             York Times, June 16, 1989.
     R. Morgan, New York in Review: 'Diagrams and Surrogates', in: Arts, April 1989.
     P. Cyphers, New York in Review: 'Numerators', in: Arts, March 1989.
     S. Ostrow, Diagrams & Surrogates, Ex. Cat. Shea & Beker Gallery, 1989.
     K. Ottmann The Gaze of Orpheus, in: Flash Art, November/December 1988.
     R. Morgan, Meaningful Geometry: Postmasters, in: Flash Art, May/ June 1988.
     V. Raynor, Works by the New and by the Eccentric, in: New York Times, May 22, 
             1988.
     J. Yau, Lydia Dona: Luhring, Augustine & Hodes, in: Artforum, January 1988.
     K. Ottmann, Spotlight: Lydia Dona,  in: Flash Art, International Edition, October 
             1987.
     H. Harrison,When Painters turn to Prints., in: The New York Times, March 22, 1987.
     G. Harper, Lydia Dona Hillman Holland Fine Arts., in: Art Papers, January 1987.
     S. Westfall, Lydia Dona at Luhring, Augustine & Hodes., in: Art in America, Sept, 
             1986.
     B. Schwabsky, Lydia Dona, in:  Flash Art, Summer 1986.
             Album: Lydia Dona, in: Arts, April 1986.
     D. Cameron, The Attack of the B-Girls: Four Women Artists from the East Village, in: 
             Arts, May 1985.
     N. Princenthal, Young Americans: Galerie Bellman, in: Art News, January 1985.
     S. Westfall, Lydia Dona’s Theater of the Second Chance, Ex. Cat. Virtual Garrison, 
             March 1985.
     H. Foster, Lydia Dona: Bertha Urdang Gallery, in: Artforum, January 1980.
     D. Blau, Lydia Dona: Bertha Urdang Gallery, in: Flash Art, January 1980.

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